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Cali School Faculty News

In the past few months, Cali School faculty have been active internationally as performers, composers, teachers and researchers.

Posted in: Cali School of Music News

Cali Front Door

In the past few months, Cali School faculty have been active internationally as performers, composers, teachers and researchers.

In summer 2018, clarinetist Benjamin Baron played the Summerscape Opera and Bard Music Festival with the American Symphony Orchestra. He also played the American Symphony Orchestra鈥檚 fall concert at Carnegie Hall. He performed with the Broadway shows聽My Fair Lady,听Wicked,听Phantom of the Opera. New York Pops at Carnegie Hall, Quintet of the Americas with the Jackson Height Orchestra, and聽The Nutcracker聽with the Harrisburg (PA) Symphony.

Soprano Karen Driscoll returned to Worcester (MA) Chorus to perform as the soprano soloist in Beethoven鈥檚 Ninth Symphony and Choral Fantasia. She also presented in recital, her one women opera project,听Before Breakfast by聽Tom Pasatieri at the Cali School.聽Cali School vocal coach LeAnn Overton accompanied the performance.

Collaborative pianist Dmitri Korneev鈥檚 composition聽Arabesque聽for flute and piano won Second Prize at the Prokofiev鈥檚 Russian National Composers Competition.

Jan Prokop was recently appointed Associate Music Theater Voice Coordinator at 精品成人福利在线 University; a Master Teacher in the NATS Intern Program at the University of Colorado (Boulder), June 2018; Body Mapping instructor for RespiroOperaNYC漏, June 2018; voice teacher at Broadway for All, July 2018; writing Body Mapping chapter for the NATS publication of聽So You Want To Sing With Physical Awareness.

Marissa Silverman published an article in the聽Journal of Music Teacher Education聽titled 鈥淧opular Music Pedagogies: An Approach to Teaching 21st-Century Skills.鈥 Her presentations and workshops included: State Education Agency Directors of Arts Education: SEADAE Annual Conference; New York State School Music Association (NYSSMA) Annual Conference; Ball State University (IN); Western University (Ontario, CA); University聽of Saskatchewan. She published聽Gregory Haimovsky: A Pianist鈥檚 Odyssey to Freedom聽as part of the Eastman Music Studies, and with David Elliott, the 2nd edition of聽Music Matters: A Philosophy of Music Education, translated for the Chinese audience. She served as interim board chair from September 2018-present on the Board of Directors,听Crossing Point Arts: Bringing the Arts to Survivors of Human聽Trafficking.

In July, Wendy Stern was guest tutor and presented 鈥淲ork and Play: Creating a Playground for Deep Practice鈥 at the Australian National Teachers Conference, Melbourne Australia. She was a guest clinician at Bay Area Fall Flute Workshop, San Francisco (CA), gave premiere performance of Daniel Dorff鈥檚聽Spirit of the Hudson聽Sonata for Bass Flute and Piano at the New Jersey Flute Fair, and was a recitalist and guest clinician at East Tennessee State University, Johnson City. She also gave the premiere performance of Russell Scarbrough鈥檚 Flute Quartet at Mud-Atlantic Flute Fair, Weston (VA).

Sasha Enegren performed concerts with Savannah Philharmonic, gave the world premiere of Raphael Fusco鈥檚聽Four Sacred Songs聽(St. Michael鈥檚 Church, NYC), presented recitals and masterclasses in Iowa and Minnesota, including a performance of French horn professor Jeff Scott鈥檚 composition聽Elegy for Innocence. In November she toured and taught masterclasses and lessons in Havana, Cuba with Quintet of the Americas. Performances in the tri-state area include concerts at Carnegie Hall, performed Concerto for wind quintet and orchestra in Queens with Quintet of the Americas. With a NEA grant she gave world premiere of Lev Zhurbin鈥檚聽For the Sparrows, a collaborative performance with Queens elementary schools PS 69 and PS 149.

Patrick Burns recently conducted the Marywood University Wind Symphony and the PMEA District 5 Band in performances around Pennsylvania.

Gregg Rossetti presented a chapter from his dissertation in the game studies track at GameSoundCon, in Los Angeles (CA). The talk was on how musical tropes in early console-based role-playing video games are used to establish a cultural and political identity of their respective imaginary worlds.

Collaborative pianist Soyeon Kim served on Ferro Vocal Program faculty in Chianti, Italy last summer. Her performances in New York City include Seoul in NYC, a concert hosted by the Seoul National University Alumni Association, and the Armistice Day Concert: Music of the World War I Era, hosted by the New York Flute Club.