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The Creative Research Center attends the Regional Committee Planning Meeting for the November 3-5, 2011  Network for Academic Renewal Conference onat the Westin Providence Hotel, convened December 3, 2010. 

“A community of self-governing citizens, a demos, understands, creates, and reinvigorates itself through culture. It is only when we have a , where everyone has the same capacity and opportunity to take part in cultural life, that we will have a chance of attaining a true .” — John Holden, Visiting Professor at CUNY; former Head of Culture for . [Cited by AAC&U in handout to Planning Meeting participants.]

“This is the first time AAC&U has ever addressed this convergence of arts and humanities in one meeting — and we are very excited,” , Vice-President, Engagement, Inclusion and Success of , announced as soon as we had randomly taken our seats at a group of round tables in the Providence Ballroom; and it quickly became evident to me that this was not going to be another one of your typical academic gatherings.

We were here, about fifty of us from a wide array of public and private colleges and universities, to disregard our disciplinary constraints, and brainstorm about current issues of importance in undergraduate education in the arts and humanities. We were here to find commonalities, not carve out or reinforce distinctions. We were here, as Dr. Albertine charged us most emphatically, to “find big themes and talking points” and “to cross boundaries.”

The first order of business was to take a full hour, talk among ourselves, and come up with a strong roster of potential matters that the full-fledged conference could address in a year’s time. My table was a lively, representative sample of the group as a whole: Maureen Goldman, ;  Susan E. Pease, ; Davis Baird,; Wayne Steely, ; Jude Nixon, ; Elizabeth Hollander, ; Lisa Cabulong Buenaventura, ; and A. Vereene Parnell, .

The conversation sped from zero to sixty in five minutes. I pride myself on writing fast (if illegibly) but had trouble keeping notes quickly enough. The mandate was emancipating — to fly just above the treeline, and stick to ideas and challenges. Only by happenstance did I find out that one of us was a scholar of religion; another was a Victorianist; another was a musicologist.

We talked about how to measure (or even find words to describe) the intrinsic value of studying the arts and humanities in a climate of undergraduate job-insecurity; the deep influence of the Web on the learning-consciousness of our students; the making of art in social media; the continuing upheaval in edging out “softer” subjects; the relevance of the campus Library in the; the threats of specialization to ; the essential meaning beneath the rhetoric of ; the merits of in the most practical of occupations; the underused power of outreach through the arts going beyond the walls of the university; the intellectual highs and political lows that come with …and on and on…

At some heated moment during that hour of conversation, I scribbled this note to myself: “Forget the jargon and focus upon the importance of the creative mind in real life (i.e., outside, in the world at large) and let’s get in tune with the unique consciousness of our students!”

I am not going to itemize the exhaustive list of further ideas that came out of our meeting as we went back into general session and shared lists — because within the next couple of months, will be issuing a full-fledged Announcement and Call for Proposals for the November 2011 conference. Allied co-sponsoring organizations include The International Council of Fine Arts Deans, and , with others to be enlisted.

I was inspired by my day in . There was a palpable desire generated among higher-education professionals to leap over the (albeit cliched) walls of the Academy and embrace societal realities.

The University is divided into subjects and disciplines; but, as we have been deliberating with intensity during the past several months here at the Creative Research Center, pragmatic life feels different.  This essential tension has been with us for a long time. We have an opportunity to talk freely and openly about it; by the time November 2011 comes around, the Conference promises to be an exciting and — given the electrifying and electrified pace of our culture — even more timely one.

— [12/4/10, in the sublimely Quiet Car, Amtrak Acela # 2251, en route from Providence RI to Newark NJ]

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Please visit these selected & new Creative Research Center Links for December:

• [“a platform for the distribution of critical discourse outside of an institutional framework”]
• Common Knowledge [“devoted to civilian scholarship…to open lines of communication between the academy and the community of thoughtful people outside its walls”]
• [“Le paysage, l’art et le fleuve; the landscape, art and the river”]
• [“a publication of art, culture and ideas released three times a year by the Projectile Publishing Society, Vancouver, BC”]
• [“dedicated to exploring the evolution and typology of performance and performativity in contemporary art”]
• Michel-Foucault.com. [Prof. Clare O’Farrell lucidly defines Foucault’s key concepts]
• New Works Initiative. ��Ʒ���˸������� University College of the Arts Department of Theatre and Dance.
• Random Dance
• . [“For artists working in ephemeral formats who want posterity to experience their work more directly than through second-hand documentation or anecdote”]